Poetcrit

Current Volume: 37 (2024 )

ISSN: 0970-2830

Periodicity: Half-Yearly

Month(s) of Publication: January & July

Subject: Language & Literature

DOI: https://doi.org/10.32381/POET

Online Access is Free for all Life Members of Poetcrit

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Poetcrit is now 36 years old Indian journal in continuous circulation in the country. It is internationally known and has successfully crated a critical climate for the past 34 years also influencing the academia about new areas of literature. However, its main impetus is on Indian English Literature. It has brought its reputation is such that it receives more than a dozen Indian Journals in exchange for it.

"Abstracted and Indexed in EBSCO Host" USA

 

Editor
D. C. Chambial

Associate Editor
Arti Chandel Parmar

E: artiparmar4002@gmail.com


Sulakshna Sharma

Co-Editor
Kurt. F. Svatek

Advisors
Atma Ram

PCK Prem

Senior Fellow

Vivekananda International Foundation

Former Director

Maulana Abdul Kalam Azad Institute of Asian Studies, Kolkata


R K Singh

 


Ramesh K. Srivastava

 


KV Dominic

 


Rob Harle

 


Ruth Wildes Schuler

 


Suparna Ghosh

 


AK Chaudhary

 


Volume 37 Issue 2 , (Jul-2024 to Dec-2024)

Patriotic Rebellion in Basavaraj Naikar’s Rayanna, the Patriot

By: Kh. Kunjo Singh

Page No : 1-7

Abstract
The novella Rayanna, the patriot (2015) by Basavaraj Naikar deals with patriotic rebellion of Rayanna, the hero of Kittur kingdom of South India in the second decade of the nineteenth century. With the defeat of the Kittur kingdom, the heroic Rani Chennamma and her confidants were imprisoned. Young Rayanna’s father and many other soldiers were slaughtered. Rayanna wanted to reinstate the Rani to the throne of Kittur by fighting against the Company Sarkar. Rayanna started organizing his own army. He joined hands with other rebel patriots. In his effort to make rebellion, he killed some betrayers and looters who used the name of Rani Chennamma and Raja Mallasarja. Rayanna’s party started their rebellion with the looting of Government treasuries in Bidi village and Sangolli. They invested the money in recruiting soldiers and strengthening their army. While Rayanna was planning for a great rebellion against the Company Sarkar some treacherous soldiers in his army were bribed by the Company Sarkar. So he was trapped easily by his bodyguards. On 16 December 1830 Rayanna was hanged by the British authority. Some of his confidants were also hanged. The rebellion ended in smoke, but the patriotic spirit and zeal of Rayanna and his soldiers is still preserved in the history of India and given due honour by the Indians.
 

Author :
Dr. Kh. Kunjo Singh: Former Head, Dept. of English, Manipur Central University, Canchipur – 795003
 

DOI : https://doi.org/10.32381/POET.2024.37.02.1

Price: 101

Japanese Form of Poetry: Brevity with Brilliance

By: Pravat Kumar Padhy

Page No : 8-20

Author :
Pravat Kumar Padhy : 
Pravat Kumar Padhy is an awarded Indian English Poet, haikuist and essayist. He obtained his Master of Science and a Ph.D from Indian Institute of Technology, ISM Dhanbad.
 

DOI : https://doi.org/10.32381/POET.2024.37.02.2

Price: 101

Magical Feminism: A Step Further towards Women Upliftment with Gabriel Garcia Marquez

By: Shreya Karmakar

Page No : 21-27

Abstract
This paper aims at investigating the contribution of magical realism as a narrative mode to the thematic critical content of women upliftment or magical feminism as an influential literary domain. Women upliftment is a thematic critical theory in the sense that it tackles themes and ideas more than techniques and structure. In comparison to formalism, structuralism and post-structuralism, feminism proves to be more thematically oriented. The paper works on extending the domain of the feminist theory to embrace magical realism as a narrative mode that refamiliarises its thematic definition of magical feminism. The paper is based on proposing that between magical realism and feminism, there is a relationship that springs from the similarity between them, in addition to the significance attributed to feminism when enhanced by magical realism as a mode of narration. This brings into concern the ‘duality’ and ‘defocalization’ as leading terms that knot both magical realism and feminism to postmodernism as a basic context of reference. Bringing the theme of accepting the ‘other’ into the scene, literary references are made from Gabriel Garcia Marquez’s novels .The novels of Marquez explain and show how magical realism, through the theme of avenging abuse, has enhanced the feminist reading that is based here on naturalizing woman contributing to the domain of magical feminism.

 

Author : 
Shreya Karmakar: 
Ashirwad House, Behind Plaza cinema, Lohra Kocha, Tharpakhna, Ranchi (Jharkhand) – 834 001.
 

DOI : https://doi.org/10.32381/POET.2024.37.02.3

Price: 101

Translation to the Japanese Fixed-Form Poetry: All the way to “The Silence: A White Distrust / 白濁” (2021)

By: Rika Inami

Page No : 28-33

Author :
Rika Inami
graduated from the First Department of Literature, Waseda University, lives in Akita Prefecture, Japan, and is a member of Mirai Tanka Association, Akita International Haiku Network, and Muro Saisei Society. 
 

DOI : https://doi.org/10.32381/POET.2024.37.02.4

Price: 101

‘Creators and Critics’: Complexities of Functions and Obligations

By: P. C. K. Prem

Page No : 34-41

Author :
P. C. K. Prem:
Major contemporary bilingual poet, novelist, short-story writer and critic from Palampur, Kangra (HP).
 

DOI : https://doi.org/10.32381/POET.2024.37.02.5

Price: 101

Sublimity in the Haiku of R.K. Singh

By: Naqui Ahmad John , Aalia Khan , Sushmita Soni

Page No : 42-47

Authors :
Dr. Naqui Ahmad John:
Assistant Professor (HOD English), Patna College, Patna.
Dr. Aalia Khan: Assistant Professor, HSS, NIT, Patna.
Sushmita Soni: Research Scholar, Department of English, Patliputra University, Patna.
 

DOI : https://doi.org/10.32381/POET.2024.37.02.6

Price: 101

Novelty of Ideas in C. L. Khatri’s Poetry with Special Reference to For You to Decide

By: Manas Bakshi

Page No : 48-52

Author :
Dr. Manas Bakshi: Poet, Critic, Reviewer from Kolkata.
 

DOI : https://doi.org/10.32381/POET.2024.37.02.7

Price: 101

Raghupathi Goes to Rio: Dialogues with Roberto Alexandre

By: Thudum Venkataramana

Page No : 53-61

Author :
Thudum Venkataramana:
A Lecturer in English, Government Degree College, Kadapa, Andhra Pradesh, he has over two decades of teaching experience.
 

DOI : https://doi.org/10.32381/POET.2024.37.02.8

Price: 101

Eutierria and the Woman behind the Sthula-Sharira

By: Sulakshna Sharma

Page No : 62-74

Author :
Dr. Sulakshna Sharma:
Critic, short story writer, reviewer and Assoc. editor of Poetcrit. Currently she is Asstt Professor of English in Govt College, Baijnath. Lives at Aima in Palampur (Kangra, HP).
 

DOI : https://doi.org/10.32381/POET.2024.37.02.9

Price: 101

The Narrow Road: R. K. Singh’s Haiku, Tanka and Beyond

By: Kevin Marshall Chopson

Page No : 75-77

Author :
Kevin Marshall Chopson received his B.A. in English Language and Philosophy from Eastern Michigan University and M.F.A. in Creative Writing from Murray State University in Kentucky. His poetry and essays have appeared in dozens of literary journals, magazines, and newspapers from coast to coast in the United States and abroad. He has over one hundred and fifty poems in print and has been nominated for the prestigious Pushcart Prize four times. His first poetry collection A Hollow Earth was published in Romania in July of 2017. Poet Laureate of Gallatin, Tennessee, a DADA and Fluxus art movements scholar and long interested in the visual and audio arts as well, Chopson is currently engaged in presenting his poetic vision – a mash-up of semiotics, postmodernism, and experimental phenomenological musings – in audio recordings, film, theater, and other multi-media formats.
 

Author :
Kevin Marshall Chopson received his B.A. in English Language and Philosophy from Eastern Michigan University and M.F.A. in Creative Writing from Murray State University in Kentucky.
 

DOI : https://doi.org/10.32381/POET.2024.37.02.10

Price: 101

NATURE: “Earth’s Immeasurable Surprise”: Larkin in Comparison with Wordsworth and Robert Frost

By: Dr. K. Rajamouly

Page No : 78-91

Author :
Dr. K. Rajamouly:
M.A., M.Phil., Ph.D. is Professor of English in Ganapathy Engineering College, Warangal (AP).
 

DOI : https://doi.org/10.32381/POET.2024.37.02.11

Price: 101

Gandhian Views and Visions in Indian Fictions in English

By: Amar Nath Prasad

Page No : 92-100

Abstract
Indo-Anglian Fictions, Particularly the fictions of the thirties, are immensely influenced by the ideals of Mahatma Gandhi, who fought for the cause of the under-privileged classes, the have-nots and the downtrodden, the marginalized and the defenseless. Apart from many other things these writers have mirrored the various incidents and happenings of the life and activities of Mahatma Gandhi in particular and the contemporary social and political, economic and religious upheavals in general. But their works, as we shall see, are not simply the collection of historical facts or events, they are highly literary saturated with poetic grandeur and artistic craftsmanship. Among the works dealing with the theme of either Gandhi or the contemporary freedom struggle are Mulk Raj Anand’s Untouchable (1935), Raja Rao’s Kanthapura (1938), K.S.Venkataramani’s Kandan the Patriot (1932), D.F.Karaka’s We Never Die (1944), Aamir Ali’s Conflict (1947), Venu Chitali’s In Transit (1950), K.A.Abbas’s Inqilab (1955), R.K.Narayan’s Waiting for the Mahatma (1956), Nayantara Sahgal’s A Time to Be Happy (1955), and K.Nagarajan’s Chronicles of Dekagram (1961).The present paper is a critical appraisal of the Gandhian attitudes and visions as employed in most of the writings of Indian novelists in English.
 

Author :
Dr. Amar Nath Prasad:
Professor and Head, PG Dept. of English, Jai Prakash University, Chapra (Bihar).
 

DOI : https://doi.org/10.32381/POET.2024.37.02.12

Price: 101

Review Articles
As I Know the Lord of the Mountains: (Review Article on PCK Prem’s Shiva Purana)

By: Suresh Chandra Pande

Page No : 101-108

Author :
Suresh Chandra Pande:
Contemporary critic and poet of wide renown from Nainital (Uttrakand).
 

DOI : https://doi.org/10.32381/POET.2024.37.02.13

Price: 101

Creative Writing as Redemption: Narinder Jit Kaur’s The Icicle: A Collection of Short Stories

By: Nandini Sahu

Page No : 109-117

Author :

Prof. Nandini Sahu: Amazon’s best-selling author 2022, Professor of English and Former Director, School of Foreign Languages, IGNOU, New Delhi, India, is an established Indian English poet, creative writer and folklorist.
 

DOI : https://doi.org/10.32381/POET.2024.37.02.14

Price: 101

O. P. Arora’s When You Walk Alone

By: Manas Bakshi

Page No : 118-121

Author :

Dr. Manas Bakshi: Poet, Critic, Reviewer from Kolkata.
 

DOI : https://doi.org/10.32381/POET.2024.37.02.15

Price: 101

Memento Mori—Philosophy of a Theist: Reading of Manas Bakshi’s Soliloquy of a Sailor

By: Sulakshna Sharma

Page No : 122-129

Author :
Dr. Sulakshna Sharma:
Critic, short story writer, reviewer and Assoc. editor of Poetcrit. Currently she is working as Asstt. Professor of English in Govt College, Baijnath (HP). Lives at Aima, Palampur (Kangra, HP).
 

DOI : https://doi.org/10.32381/POET.2024.37.02.16

Price: 101

Fall of Kalyana: Exegetical Thoughts on Life and Cultural Unity

By: P. C. K. Prem

Page No : 130-139

Author :
P. C. K. Prem:
An author of more than sixty-five books, P C K Prem (p c katoch of garh-malkher, palampur, himachal, a former academician, civil servant and member himachal public service commission, shimla), a post-graduate in English literature (1970) from Panjab University, Chandigarh, is a poet, novelist, short story writer, trans-creator and a critic in English and Hindi from Himachal, India. He has more than sixty books on various genres to his credit.
 

DOI : https://doi.org/10.32381/POET.2024.37.02.17

Price: 101

Poems for July, 2024

By: ..

Page No : 140-266

Abroad: Cameron Hindrum, Kurt F. Svatek, Rika Inami, Robert Maddox-Harle, Suparna Ghosh.
India: Alexander Raju, B.C. Dwibedy, Bhaskar Roy Barman, Binod Mishra, Bipin Patsani, Byomkesh Dwivedy, Dalip Khetarpal, Dharam Paul Thakur, Hemanta Pramanik, H.S. Bhatia, Khirod Malik, Krishan Gopal, K. V. Dominic, K. V. Raghupathi, Manas Bakshi, Nandini Sahu, Naresh Mandal, O.P. Arora, P.C.K. Prem, Rajamouly Katta, R.K. Singh, R.M. Prabhulinga Shastry, S.A. Hamid, Saanvi Sinha, Sagar Mal Gupta, Saroj K. Padhi, S. L. Peeran, S. Padmapriya, Suresh Pande.

Poems in Translation
Arvind Thakur, C. Narayana Reddy, Mallemaala, Pawanedra ‘Pawan’, Saroj Parmar, Suman Shekhar, Vijay Kumar Puri.

Price: 101

Books Reviewed

By: ..

Page No : 267-303

Sri Krishna Parijata by Basavaraj Naikar; Shedding the Metaphors by Nandini Sahu; Save me Mother by Suman Shekhar; Always in Transit: Poems by Krishna Kumar Mishra; Voices at the Door...edited by P. K. Patra; When You Walk Alone by O.P Arora; Let Me A Participatory Flow by Saroj Parmar; Regaining the Unlost by R.M Prabhulinga Shastry; Emperor, the Great by Basavaraj Naikar.

Price: 101

Instruction to the Author

Deadline for submissions: January issue: 1st September Articles (3000 words)/ Poems (20-25 lines) and July Issue: 1st March appended with a certificate that the article/ Poem is original and unpublished.

Complete Postal Address on the Title Page be emailed to the Editor: Poetcrit accept only well-written research papers following MLA 7yh/8th edition.
Correspondence:
Editor: Poetcrit, Maranda-176102 H.P. (India) Email: editorpoetcrit@gmail.com

All the manuscripts submitted for publication in Poetcrit should accompany a covering letter giving an undertaking following certain principles under Ethical Policy. The cover letter should include a written statement from the author(s) that:
1. The manuscript is an original research work and has not been published elsewhere including open access at the internet.
2. The data used in the research has not been manipulated, fabricated, or in any other way misrepresented to support the conclusions.
3. No part of the text of the manuscript has been plagiarized.
4. The manuscript is not under consideration for publication elsewhere.
5. The manuscript will not be submitted elsewhere for review while it is still under consideration for publication in POETCRIT.

The cover letter should also include an ethical statement disclosing any conflict of interest that may directly or indirectly impart bias to the research work. Conflict of interest most commonly arises from the source of funding, and therefore, the name(s) of the funding agency must be mentioned in the cover letter. In case of no conflict of interest, please include the statement that “the authors declare that they have no conflict of interest

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